April Smith of AHA MEDIA will be co-presenting W2 Community Media Arts with Irwin Oostindie at BarCamp Vancouver 2009

W2 Community Media Art is set to open in time for the Olympics at Woodward’s, with Fearless City Mobile, True North Media House, and a full slate of social and community media platforms (FM radio, cable TV, satellite TV, fibre optic network, telepresence, mobile, printing, and creative technology incubator) available for the Downtown Eastside, the city, and international partners.
Update on W2 and its Fearless City Mobile social enterprise from Irwin Oostindie and April Smith
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What is Barcamp?
BarCamp is an ad-hoc un-conference born from the desire for people to share and learn in an open environment. It is an intense event with discussions, demos and interaction from attendees.
All attendees are encouraged to give a demo, a session, a presentation, or help with one. All attendees are expected to be participants. All presentations are scheduled the day they happen. Prepare in advance, but come early to get a slot on the wall.
Presenters are responsible for making sure that notes/slides/audio/video of their presentations are published on the web for the benefit of all and those who can’t be present.
Anyone with something to contribute or with the desire to learn is welcome and invited to join.
Carrall Street Publication and Edition Launch | 6-8pm Wednesday September 30 at ArtSpeak in Gastown, Vancouver

http://www.artspeak.ca/exhibitions/event_detail.html?event_id=234
Althea Thauberger
September 30th, 2009
The Carrall Street publication documents Althea Thauberger’s site-specific work that took place on the 200-block of Carrall Street in front of Artspeak on September 30, 2008. It considered the specificities of the site as a nexus of social, economic, political, and cultural realities.
The block was closed to traffic and illuminated by film lights. Collaborating with local communities, individuals, and organizations, Thauberger invited a diverse group to undertake independent actions or activities within the event’s framework.
Approximately forty performers worked across and through the delineation provided by the block, extending their activities into alleys and bars. The performances ranged from repeated physical actions, oratories, orchestrated conversations, and scripted performances that often occurred at an intimate scale, to reflected or framed quotidian situations.
Because the event encompassed the entire block, the work took on an expanded subject matter that included the attitudes and activities of spectators and passersby, heightened aesthetics and conditions of representation, the street’s physical surroundings and architecture, and transitional moments in the street’s development.
The publication includes commissioned texts, scripts, a partial transcription of the Carrall Street forum, archival documents, and images.
Exhibitions and Events
Carrall Street Publication and Edition Launch | 6-8pm Wednesday September 30
Althea ThaubergerSeptember 30th, 2009
The Carrall Street publication documents Althea Thauberger’s site-specific work that took place on the 200-block of Carrall Street in front of Artspeak on September 30, 2008. It considered the specificities of the site as a nexus of social, economic, political, and cultural realities. The block was closed to traffic and illuminated by film lights. Collaborating with local communities, individuals, and organizations, Thauberger invited a diverse group to undertake independent actions or activities within the event’s framework. Approximately forty performers worked across and through the delineation provided by the block, extending their activities into alleys and bars. The performances ranged from repeated physical actions, oratories, orchestrated conversations, and scripted performances that often occurred at an intimate scale, to reflected or framed quotidian situations. Because the event encompassed the entire block, the work took on an expanded subject matter that included the attitudes and activities of spectators and passersby, heightened aesthetics and conditions of representation, the street’s physical surroundings and architecture, and transitional moments in the street’s development. The publication includes commissioned texts, scripts, a partial transcription of the Carrall Street forum, archival documents, and images.
Related Links
Carrall Street [Publication]
Althea Thauberger [Artist]
AHA MEDIA is very pleased to present Roadsworth Screening & Filmmaker’s Reception Part of Loaded Pictures (Montreal) residency with W2 Community Media Arts October 5-19, 2009
Roadsworth Screening & Filmmaker’s Reception
Part of Loaded Pictures (Montreal) residency with W2 October 5-19, 2009
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| Type: | |
| Network: |
Global
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| Date: |
Wednesday, October 7, 2009
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| Time: |
7:00pm – 10:00pm
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| Location: |
W2
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| Street: |
112 W Hastings (new location, across street from Flack Block)
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| City/Town: |
Vancouver, BC
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| Email: |
This event is part of Loaded Picture’s residency with W2, while they are in Vancity to screen their newest film ‘H2Oil’ at the Vancouver Film Festival (see comments below).
Over a period of three years, the stencil artist Peter Gibson, aka Roadsworth, made his mark on Montreal in the early hours of the morning by launching a self-described “attack on the streets.” Armed with spray paint and handmade stencils, he began to play with the language of the streets, overlaying city asphalt markings with his own images: a crosswalk became a giant boot print, vines choked up traffic dividers, and electrical plugs filled parking spots. Each piece begged the question, Who owns public space?

Roadsworth: Crossing the Line details the artist’s prosecution at home and his travels abroad to France, London and Amsterdam, as he imprints himself legally/illegally on foreign streets. The film reflects Roadsworth’s personal struggle to defend his work, define himself as an artist and address difficult questions about art and freedom of expression.
With Roadsworth: Crossing the Line, Loaded Pictures provides a portrait of an artist who provokes debate about the significance of art in urban spaces.
Additional screening to be held Oct 14 at Emily Carr university.
Directed by: Alan Kohl; Produced by: Sergeo Kirby, Sarah Spring, Adam Symansky; Production of: Loaded Pictures and National Film Board of Canada.
Roadsworth: Crossing the Line is followed by a post-screening Q&A and reception with Loaded Pictures’ Co-Producer Sarah Spring of Montreal, and Mitchell Stookey, a Vancouver-based Animator on the film.
This event is part of Loaded Picture’s residency with W2, while they are in Vancity to screen their newest film ‘H2Oil’ at the Vancouver Film Festival (see comments below).
Over a period of three years, the stencil artist Peter Gibson, aka Roadsworth, made his mark on Montreal in the early hours of the morning by launching a self-described “attack on the streets.” Armed with spray paint and handmade stencils, he began to play with the language of the streets, overlaying city asphalt markings with his own images: a crosswalk became a giant boot print, vines choked up traffic dividers, and electrical plugs filled parking spots. Each piece begged the question, Who owns public space?
Roadsworth: Crossing the Line details the artist’s prosecution at home and his travels abroad to France, London and Amsterdam, as he imprints himself legally/illegally on foreign streets. The film reflects Roadsworth’s personal struggle to defend his work, define himself as an artist and address difficult questions about art and freedom of expression.
With Roadsworth: Crossing the Line, Loaded Pictures provides a portrait of an artist who provokes debate about the significance of art in urban spaces.
Additional screening to be held Oct 14 at Emily Carr university.
Directed by: Alan Kohl; Produced by: Sergeo Kirby, Sarah Spring, Adam Symansky; Production of: Loaded Pictures and National Film Board of Canada.
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